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1816-1882, Original Antique Albumen Print, Carlo Naya, Rialto Bridge, Venice
1816-1882, Original Antique Albumen Print, Carlo Naya, Rialto Bridge, Venice
1816-1882, Original Antique Albumen Print, Carlo Naya, Rialto Bridge, Venice
1816-1882, Original Antique Albumen Print, Carlo Naya, Rialto Bridge, Venice
1816-1882, Original Antique Albumen Print, Carlo Naya, Rialto Bridge, Venice
1816-1882, Original Antique Albumen Print, Carlo Naya, Rialto Bridge, Venice
1816-1882, Original Antique Albumen Print, Carlo Naya, Rialto Bridge, Venice
1816-1882, Original Antique Albumen Print, Carlo Naya, Rialto Bridge, Venice
1816-1882, Original Antique Albumen Print, Carlo Naya, Rialto Bridge, Venice
1816-1882, Original Antique Albumen Print, Carlo Naya, Rialto Bridge, Venice

1816-1882, Original Antique Albumen Print, Carlo Naya, Rialto Bridge, Venice

$ 50.16

Availability: 100 in stock
  • Subject: Venice
  • All returns accepted: Returns Accepted
  • Return shipping will be paid by: Buyer
  • Region of Origin: Europe
  • Item must be returned within: 14 Days
  • Refund will be given as: Money Back
  • Country/Region of Manufacture: Italy
  • Restocking Fee: No
  • Original/Reprint: Original Print

    Description

    This is an Original Antique Albumen Print by Carlo Naya (1816-1882). Title is Rialto Bridge, Venice.
    This is a gorgeous antique photograph depicting figures placed in a Venice background space. There is some damage to the work including three smudges/imperfections at the top and bottom. This is mounted to board with a “Naya” blind stamp and pencil text on the mount with the title and a name. Please see photos and consider them a part of the condition report.
    Image size appropriately 10.5” x 14” and board size about 12.25” x 18”.
    I have seen auction estimates in upwards of thousands of dollars for his work. This would be a great addition to any collection.
    Brief bio from Wikipedia:
    Carlo Naya (1816 in Tronzano Vercellese – 1882 in Venice) was an Italian photographer known for his pictures of Venice including its works of art and views of the city for a collaborative volume in 1866. He also documented the restoration of Giotto's frescoes at the Scrovegni Chapel in Padua.